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At the age of 30, he was made professor of Latin Literature at the University of Siena, later at the University of Pisa and finally, in , at the Scuola Normale Superiore. He enjoys high esteem outside Italy, in particular in the Anglo-Saxon world where he has been invited as guest professor to Oxford, Cambridge, Princeton, Berkeley, and Stanford. In , he ran for the office of director of the Scuola Normale Superiore , but was second to the preceding director Salvatore Settis, who received his third mandate in succession.

The Poetry of Pathos - Gian Biagio Conte - Oxford University Press

In he was elected a Corresponding Fellow of the British Academy. Work Conte confines his work basically to Latin literature, mainly to the poetry of the late republic, the Augustan period, and the early empire Virgil, Lucan, Catullus, the elegiacs, Ovid, Lucretius , but also works on prose writers such as Pliny the Elder and on the novel of Petronius.


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Conte is co-founder and director of the periodical Materiali e discussioni per l'analisi dei testi classici as well as a regular member of the Accademia Nazionale Virgiliana in Mantua. Selected writings Books and collections of articles. Biography Lists.

Selected writings Books and collections of articles Memoria dei poeti e sistema letterario , Einaudi Torino , 2nd ed.

"On the manuscript are Dido’s tears, from Dido. " — Barbara Guest

Buy Online, Pick up in Store is currently unavailable, but this item may be available for in-store purchase. Sign in to Purchase Instantly. Overview This volume presents a collection of pieces from a celebrated world-class scholar and interpreter of Latin poetry, focusing on the interpretation of Virgil's Aeneid.. It forms the sequel to two widely influential earlier books on Virgil by the same author and translates and adds to a collection of papers published in Italian in Its central concern is the way in which Virgil reworks earlier poetry especially that of Homer at the most detailed level to produce very broad literary and emotional effects.

Gian Biaggio Conte explores a central issue in Virgilian studies, that of how the Aeneid manages to create a new and effective mode of epic in a period when the genre appears to be debased or exhausted.

The poetry of pathos : studies in Virgilian epic

Product Details About the Author. Enjambement; synaloepha "gasping and pathetic" and otherwise ; spondaic lines; hyperbaton; placement of adjectives; the use of patronymics and apostrophe, all receive comprehensive consideration alliteration is one of the most lavishly treated of these topics. The indexes of this volume—both of passages cited and of stylistic phenomena—make this is an especially useful and precious resource for those working on a particular passage of the epic or one or another of the many rhetorical devices the poet employs on every page.

The Virgilian reception of Catullan and Lucretian metrical and stylistic traits is studied passim. So also the poet's influence on Ovid in particular.

The Virgilian community owes a real debt to Dainotti and his translator for making this research available; in a field where so much scholarship runs the risk of being tralatician, there is much here either that cannot be found elsewhere simply because no one did the hard work, or that is difficult to access in sadly forgotten journal articles and the notoriously dense footnotes of Hahn. One can read this book straight through, an experience that in itself is an education in the art of verse composition, and a chance to rediscover the wonder of a first reading of some of Virgil's most memorable lines.

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The Poetry of Pathos: Studies in Virgilian Epic

But in reading through this book—either in toto or en passant —one may experience a palpable urge to reread Virgil's verse, applying the lessons of Dainotti's study to favorite passages and cherished scenes. Dainotti's book advances our knowledge and understanding of the Virgilian lexicon in an appreciable way; his volume offers a series of lessons on how the master poet can reuse key words and phrases to great effect in scenes of different emotional registers, so as to offer authorial commentary on important moments in the narrative.

It is no exaggeration to say that in working through Dainotti's book, one returns to Virgil with a freshness and renewed sense of admiration for his achievement —and, not least, with the wish that Dainotti's work would be inspirational to other scholars to treat other Latin poets with the same degree of care and precise analysis. In short, Paolo Dainotti is to be commended for a marvelous addition to the Virgilian bibliography.

All too many monographs and studies on the Aeneid are soon enough more or less forgotten, oftentimes not because of any inherent flaw in argumentation or intrinsic lack of merit, but simply in consequence of the flood of publications on the most popular of Latin poets. It is to be hoped that Dainotti's volume will not suffer this fate, and that users of this valuable resource will give a look or more to the splendid work of predecessors that made it possible.

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